Free PDF The Copyright Wars: Three Centuries of Trans-Atlantic Battle
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The Copyright Wars: Three Centuries of Trans-Atlantic Battle
Free PDF The Copyright Wars: Three Centuries of Trans-Atlantic Battle
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Review
"Honorable Mention for the 2015 PROSE Award in Law & Legal Studies, Association of American Publishers""[F]ascinating and learned."---Louis Menand, New Yorker"Baldwin quite ably and thoroughly illuminates the history of copyright developments in Europe and the US."---Mark A. Fischer, Los Angeles Review of Books"Baldwin expertly and economically records the major beats of copyright history in the last 300 years in a surprisingly focused, readable narrative. . . . In discussions ranging from the origins of copyright in 18th-century England, through the rise of 'moral rights' in Europe and the transition of the U.S. from global pirate to a net exporter of cultural works in the 19th century, to present day battles over Google Book Search and thorny legislation, such as the Stop Online Piracy Act (SOPA), Baldwin both illuminates the past and neatly sketches the contours of the battles to come." (Publishers Weekly)"Scholarly but accessible and lucid; essential for students or modern intellectual property law and of much interest to a wide audience of writers, journalists, publishers and 'content creators'." (Kirkus)"Baldwin has provided an often fascinating account of debates over intellectual property, including the defense of the moral rights of authors in Fascist Italy and Nazi Germany. Most important, Baldwin makes a compelling case that although claims to intellectual property have strengthened over the last three hundred years, they do not rest in nature. Intellectual property is, in fact, 'a contingent, socially created right, in thrall to what the lawmakers of the day' decide it is." (Huffington Post)"The overriding value of The Copyright Wars is . . . its rich history of copyright and its underlying philosophy. In particular, [Baldwin] provides a fascinating analysis of the rivalry between the US and UK conception of property rights and the continental European belief in the author's moral rights."---John Gapper, Financial Times"Well-researched . . . full of informative and occasionally amusing history on international treaties, ideas about authorship, and why the French get so angry when we colorize old movies. A book like Baldwin's is long overdue."---Robert Levine, Columbia Journalism Review"[A]n epic history of copyright and authors' rights."---Mike Holderness, New Scientist"An excellent, scholarly study of what has gone wrong with American copyright law in the last half-century that will contribute to the ongoing debate on reforming the law." (Library Journal)
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From the Inside Flap
"From Kant and Fichte to WikipediaÂ’s protest shutdown and the Swedish Pirate Party, and from international copyright in the Confederacy to moral rights in Fascist Italy, Baldwin offers a riveting historical account of copyright in the Anglo-American and Continental European spheres that becomes an indispensable guide to understanding todayÂ’s struggles over copyright and international trade treaties."--Yochai Benkler, Harvard Law School"Why does current U.S. copyright sentiment accord more with the views of Jack Valenti than of Thomas Jefferson? Understanding the fault lines of copyright in the digital age means returning to the debates of the 1830s, if not to even earlier struggles at the Enlightenment's dawn. Nobody could tell the tale with more consummate skill than does Peter Baldwin in this tour de force of cultural history."--David Nimmer, author ofNimmer on Copyright"I thought I knew what the fuss over copyright was, but this smooth, clear, and well-written book opened my eyes to completely different ways of balancing the benefits of authors vs. audiences. I was astonished to learn that today's die-hard advocates in the digital realm had their exact antecedents hundreds of years ago. And that the divergence between Europe and America reflects not geography, but a profound riddle: who should benefit most, creators or society? Despite its intensely researched and sourced text, this book is a delight to read, with news on almost every page. It is not about the tiny laws of copyright; itÂ’s about the meaning of copyright in a big way."--Kevin Kelly, Senior Maverick,Wired Magazine"Baldwin deftly shows that the crucial copyright controversies of today are part of a much older set of controversies and that understanding today's situation is vastly enhanced by understanding its history. This is a must read."--Jimmy Wales, founder of Wikipedia"Peter Baldwin's The Copyright Wars spans centuries and continents to reveal the background of today's battle over open access to information. Anyone who wants to understand how we arrived at this conflict should read this remarkable book."--Brewster Kahle, founder of the Internet Archive"The creation, distribution, and enjoyment of copyrighted works often result in conflicts based on where you stand, including which side of the Atlantic Ocean you stand on. Peter Baldwin ably demonstrates why this is the case as he carefully charts the centuries-old tensions between Anglo-American and Continental European approaches to copyright."--William Patry, author ofHow to Fix Copyright
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Product details
Hardcover: 552 pages
Publisher: Princeton University Press (September 22, 2014)
Language: English
ISBN-10: 9780691161822
ISBN-13: 978-0691161822
ASIN: 0691161828
Product Dimensions:
6.5 x 1.5 x 9.8 inches
Shipping Weight: 2.1 pounds (View shipping rates and policies)
Average Customer Review:
5.0 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#1,526,369 in Books (See Top 100 in Books)
Great book. Informative, interesting, and despite the weighty topic, the author keeps the story moving. I learned a lot.
Good summary about the creation of current views of intellectual property, the author gives lots of examples that are entertaining
Very good book for begginers
Unlike most non-legal text on copyright, this one is long on facts and historic context while leaving the fist pounding and pontification to others. I checked this book out of the library after seeing it on the "new arrivals" shelf. Having read it, wishing I could hi-light and annotate its pages with notes, I am now committed to buying it. The author is truly immersed in his subject historically, and the topical nuances of the present legal debates are given their place in history. The evolution of copyright is far more complex in England, European and America than it would appear from the bloggy diatribes dancing across the web today. In European, the question of the honor of the author and his/her ability to defend it was a major factor in determining the laws -- something that has never been an issue in America with its crass love of business for business sake. Likewise the crown-based publishers guild is a player in Europe. This book should be read by far more than professionals in IP, it should be read by everyone interested in civilization post-Renaissance. From Dickens to Disney, the last three centuries in particular could not have unfolded as they have without the struggles documented in the book. The latter parts of the book covers the struggle of computer software and digital rights as well. The internet-age seems to foster shallow, self-righteous, cherry-picked glossings from history, this book, on the other hand, is for those who would like a little more cake with their sprinkles and frosting.
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