Free PDF , by Karen Ralls

Free PDF , by Karen Ralls

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, by Karen Ralls

, by Karen Ralls


, by Karen Ralls


Free PDF , by Karen Ralls

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, by Karen Ralls

Product details

File Size: 16132 KB

Print Length: 288 pages

Publisher: Ibis Press (April 15, 2015)

Publication Date: April 15, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00KOD9GXU

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Amazon Best Sellers Rank:

#791,960 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

This book gives a sweeping over view of the places where cathedrals were built. The sensibilities of the people coming out of the dark age into an enlightened time is revealed in numerous ways. Karen Ralls seems to know where the interesting and wonderful connections are hidden in the past and she brings them to us in her writing.This book illuminates any person whether of religion or of none religious life views.

Extensive study of Medieval life focusing on the cathedral. Emphasizes the social context over architecture. Filled with interesting details. Well-illustrated.

While it has some good illustrations, I expected more depth to Dr. Rall's writing. I felt I was reading a TV script rather than a scholarly work.

Karen Ralls is the best and her books are beautiful to look at as well as very educational.

In my opinion, this is Dr. Ralls’ best book so far. However, I caution the reader that it is not a book about the architecture of Gothic cathedrals. There are plenty of those. Instead, it is a comprehensive look at exactly what the author says in her subtitle: It is a guide fit for would-be travelers and those interested in history, art, and symbolism describing what you would want to know if you were engaged in a pilgrimage to any or several of these magnificent places---a pilgrimage that may be an actual physical journey or that may be a journey in one’s mind and spirit, or both.As always, very thorough in her research with plenty of references for those who choose to go deeper and with maps and locations of sites to visit, Ralls begins by investigating for us how allowing light into the inner darkness of the new cathedrals began as the idea of Abbot Suger at the abbey church of Saint-Denis outside of Paris. It was, as she says, “an extraordinarily experimental project…its unusual features and beauty stunned everyone present at its unveiling---with its pointed arches, bejeweled stained glass windows, and other unique features never seen before.” Completed in 1144, it was the first truly western Gothic building. Suger described his vision and his intention as exhibiting “continuous light.”Our author traces the development of the great cathedrals that followed, with their high naves, flying buttresses on the outside that support the structure, pointed arches, rib-vaulted ceilings, stained glass windows, and intricate stone carvings. She particularly emphasizes the process of how these giant edifices were built as a component of medieval society and how they were subsequently used, both inside and outside, not just as great houses of worship but also as community centers, market places, concert halls, and settings for pageants, festivals and feasts. Being both an accomplished musician and an academic herself, Dr. Ralls explains how these cathedrals influenced the development of music and of education at that time.She spends time writing about the importance of the various building tradesmen and their craft guilds---the stonemasons, sculptors, carpenters, metal workers, glass makers, painters---and their progression from apprentices to journeymen to masters who “guarded their trade secrets, special techniques, and initiation rituals very closely.” We begin to see the real importance of the knowledge the Knights Templar brought back from their crusades in the East in terms of building techniques and how it spurred a revival of interest in the numerical and geometric philosophies of Pythagoras and Plato. It is no wonder that the Cistercian spiritual head of the Templars, St. Bernard of Clairvaux, a prominent rival to Abbot Suger, would refer to God in a geometric sense, often to the displeasure of the Church in Rome. Chapter 5 further emphasizes the importance of geometry by taking us on a tour of the use of mazes and labyrinths on both the Continent and the British Isles inside Gothic cathedrals as well as outside.In a later chapter, we see the importance of the ancient Vesica Piscis geometric symbol as a “form generator” of the pointed Gothic arch. We learn how the great cathedrals were used as solar observatories and how Roger Bacon, the medieval philosopher, scientist, alchemist, and astronomer was eventually condemned to prison by his fellow Franciscans because his scientific interests were anathema to the Church. We can appreciate how Bacon set the mode for “underground” philosophers and scientists to ingeniously encode their knowledge into Gothic cathedrals using geometric principles and elements of Neo-Platonic philosophy.A good deal of text and some dramatic color photographs of stained glass windows further emphasize the theme of Lux Lucet in Tenebris: “Light shines in Darkness.” But, as Ralls reminds us, the Light is not just what we see shining down inside the church from the vivid colors of glass above. It is the light of Wisdom itself---a reflection of the possibility for inner illumination and truth. And, she adds, “Such connections are available to anyone in the world who can visit and appreciate the beauty of a Gothic building---whether the person is spiritually inclined or not.”Dr. Ralls has assembled in this book some of the most beautiful photographs of both interior and exterior art, architecture, and sculpture taken by a variety of photographers, including the author, herself. It is a fine piece of visual artistry as well as an illuminating text. But, perhaps the most intriguing part of the book comes in the last two chapters. Here I was given information which was new to me, detailed information about the journeys of religious pilgrims to see the various relics, shrines, and tombs at many of the cathedral sites---the preparation, the costs, the dangers and difficulties of travel in medieval times. Fascinating!We are reminded that we, ourselves, are constantly on our own pilgrimage---the pilgrimage of life itself. We can, perhaps, more easily travel than those faithful of centuries ago, but the results on our psyche and on our being will most likely be similar. And, this volume stands as a fitting tribute to those who were responsible for construction and use of those grand buildings we can still visit. As one who has had the fortunate opportunity to experience many of them, I can readily agree with Dr. Ralls when she says, “Pilgrimage is a journey to the center. It is to travel to a sacred place for inspiration and wisdom, to re-connect with the wonder and awe of the Universe, however you choose to define it.”First reviewed in New Dawn magazine, Issue No. 153

Ha, I haven't actually read this yet. I saw Karen on a TV special and thought she was adorable, so I got one of her books.

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